Is it sad that my subconscious is a far more interesting person than my woken self? I”ve written entire short stories in my sleep, but conscious me spends embarrassing lengths of time staring at a blinking cursor on a white background while ideas fail to visit. I look forward to sleeping just so I can see what my subconscious will dream up next.
Once I dreamt that I was house sitting someone’s basement playroom. There was one door to the outside, and the slide lock slid into place without human assistance. Toys were played with by some unseen hand. I asked the entity if it was happy living there. I watched the condensation on a single window shift to slowly reveal the letters Y-E-S. I could not see the fingers writing, but I could see the response rendered.
In another ghost dream, I’m a guest at a Caribbean resort that once operated as a sugar plantation. Gauzy whiteness dominates the place, spreading and ensnaring as Kudzu. I’m sitting in a white wicker love seat on a rear patio. Nearby palm fronds casually sway atop tall, thin and bending trunks. Something about their carriage reminds me of 1920s catalog models with their chic cigarette holders. Elegant, relaxed, aloof.
Across the room, a woman wearing a white sundress sits with her feet folded beneath her in a chair matching my hard woven seat with pale floral cushion. I do not know her. She reads a contemporary home decorating magazine, yet something about our surroundings feels like an Agatha Christie mystery set in the jazz age – or maybe it’s more Victorian era. Mist hovers like mosquito netting as the white ceiling fan above us whirs with slow-motioned repetition.
Though the air feels heavy and too sticky to inhale, the current from the fan feels sensual as it brushes my shoulders. I catch a brief chill. A young girl approaches me and places a miniature teapot in the cup of my hands. She explains that if I hold it to my ear like a seashell, I can hear the sounds of the house where she found it.
She clasps my fingers around the handle and gently raises my hand to my ear. And I do hear the sounds of home: the clanking of pans, footsteps, a call to dinner. Then there’s the voice of another young female who explains to me that her house was destroyed by a hurricane years prior. The teapot comes from the ruins where her family perished. Again, I feel a chill, this time coupled with suspicion.
The pre-pubescent girl on the patio with me bounces, happy and eager. “See?” she says. No one else would believe her. Somehow, I realize that the spirit voice is using the teapot as a conduit to return to the living, like a body snatcher. I want to consume more of her story, but I know that the more I hear, the more she’ll consume me. I tell the little girl never to play with the teapot again. “It’s dangerous.” I carry it with me as I walk away from her before waking.